When your only female character exists to be bartered and abused, that is lazy writing. When you raise the stakes by threatening a woman with rape, that is lazy writing. When you demonstrate the ‘seriousness’ of a situation by describing a brutal rape, that is lazy writing. When you inject emotion into a flagging scene by making the man throw the woman against the wall, that is lazy writing. Not only is it lazy writing, but when rape is used lightly and cheaply as a convenient narrative device, it hurts people.
—Monica Byrne, from the Durham-based playwright’s blog post, “The use of rape in narrative”