Thin Places and The Transforming Presence of Beauty

Monday, March 17, 2014 - 3:00 pm

Thin Places and The Transforming Presence of Beauty

I have spent the last 20 years trying to portray the sense of place I experience at the lake of my childhood. Located in Upper East Tennessee, South Holston Lake is cradled in the Appalachian Mountains.

Being in the presence of a deep, quiet body of water gently surrounded by this wise mountain range pulls me out of the shallow fray of my frantic life to rest in a centered awareness. It is a threshold — a true “thin place.”
The concept of thin places comes from Celtic mythology. Peter Gomes, a Harvard theologian, writes:

“There is in Celtic mythology the notion of ‘thin places’ in the universe where the visible and the invisible world come into their closest proximity. To seek such places is the vocation of the wise and the good — and for those that find them, the clearest communication between the temporal and eternal. Mountains and rivers are particularly favored as thin places marking invariably as they do, the horizontal and perpendicular frontiers. But perhaps the ultimate of these thin places in the human condition are the experiences people are likely to have as they encounter suffering, joy, and mystery.”

South Holston is where I bump up against the truth of my spirituality at its most sincere and humble levels. At this frontier, I see most clearly. Resting by these waters creates an awareness of the moment where I can finally stop the racing thoughts of our world. At this still point of mindfulness, I finally come into remembrance of the transforming presence of beauty.

Spirituality, described as the art of homecoming, is that universal experience of suffering, joy, and mystery. The driving desire behind this ongoing body of work tries to convey feelings of belonging, of homecoming as the soul lies against the threshold of such thin places.

Illustrating the spirit of South Holston through moods of seasons and weather, perspectives and light, I find a growing sense of intimacy and purpose.

My personal journey seemed to mirror my artistic choices, and the images progressively have become more personal. The importance of self-reflection emerges through simple attraction to the reflective properties of the water. Expanding, my attraction moved to objects and structure that underscored this growing introspection.

The role of courage to embrace a sense of separateness surfaces as a strong undercurrent serving to highlight the difficult journey of self-acceptance. Through critical self-reflection, I have become aware of the powerful force of solitude in both my spirituality and my art. Enveloped in that solitude are suffering, joy, and mystery that carry me to that thin place.

 

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is an assistant professor in the doctor of physical therapy program at Emory School of Medicine in Atlanta, Georgia. Although professionally a researcher, spiritually she is a photographer trying to return to her roots in art. Dr. Blanton’s medium has ranged from black and white photography, color film, and Polaroid transfer techniques to abstract digital work. Her current project interweaves narrative medicine with photography to develop family education manuals for stroke survivors and their care partners.

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