Poetry Unbound

What does it mean to help? How can language help? How can we help ourselves, how can we help others? How is it that language itself can be something that recreates a new way of looking at the world? Host Pádraig Ó Tuama is back with an all new season, featuring poems by Rumi, Fiona Benson, Michael Kleber-Diggs, Victoria Adukwei Bulley, and many other brilliant and beloved poets.

Anchor your week with new episodes every Monday and Friday, through December 16.

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When you move to a new place, everything seems different. Hell’s not hot anymore; it’s freezing. A poem of strangeness and wonder.


We’re pleased to offer Dan Vera’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

Who decides what’s self-care and what isn’t? Who benefits? Who pays? Upon whom does the burden of self-care rest? Solmaz Sharif excavates.


We’re pleased to offer Solmaz Sharif’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

Firefighting pushes the body to breaking point; Kevin Goodan’s poem locates the “ash-dark art” of firefighting not just in the wilderness where the team worked, but in the muscles of the firefighters.


We’re pleased to offer Kevin Goodan’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

Sometimes leaving feels like you’re splitting yourself in two, but you leave anyway. What compels us? What holds us together even as we look back? David Whyte’s poem combines pain and promise as someone is both departing and venturing at the same time.


We’re pleased to offer David Whyte’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

What is the landscape that has most influenced you? When do you go there? In person? Andrés N. Ordorica goes in dreams.


We’re pleased to offer Andrés N. Ordorica’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

If you were to use a metaphor for your worries, what metaphor would you turn to? Here, the worries have worry babies of their own. And they look back at the poet. What do they see?


We’re pleased to offer Laura Villareal’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

Do you experience disgust at the sight of certain insects? Which ones? Fiona Benson teaches us how to see.


In 2019, Fiona collaborated with sound artists Mair Bosworth and Eliza Lomas for an 18-month, singing exploration of the wonders of the insect world as part of the University of Exeter’s Urgency Arts Commissions. The series of workshops culminated in a public anthology of poetry sound pieces called “In the Company of Insects.

We’re pleased to offer Fiona Benson’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

What do you do when what sustains you no longer sustains you? A poet tries everything he can to reconnect with his art.


We’re pleased to offer Adam Zagajewski’s poem translated by Clare Cavanagh, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

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