In the wake of the attacks in Manchester, an artist’s impassioned appeal to the West to cast off the scourge of collective responsibility for terrorism — and embrace the world’s 1.8 billion Muslims as partners not adversaries in the battle against extreme violence.
Our cultural treasures of music, art, and literature can bind us together. But in an era of interconnectedness, our art can also be woven together with our statecraft. Mohammed Fairouz cautions against cultural appropriation by charting the story of our universal cultural heritage, from the court of ancients to the modern day.
Some of our greatest cultural treasures are seemingly beyond reproach when it comes to honest criticism. Watching The King and I, a composer acknowledges the inherent racism and reflects on how we can appreciate its art and still question in ethical and moral shortcomings alongside its greatness.