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start where you are
and read what you want.”
Poetry, Audre Lorde tells us, names “the nameless so it can be thought.” On Being features poets across our media and public life offerings because poetry, for all its craft, is more than a craft. It is a necessary art. Poetry speaks to the way we could be. Poetry doesn’t have a single purpose, but it might help us live with purpose. In interviews with poets, recorded readings with poets, episodes of Poetry Unbound, and discussions about poetry’s contribution to the common good, we are delighted to offer you our ever-expanding archive of poets and their work. Listen, savor, and flourish.
This is what was bequeathed us
This is what was bequeathed us:
This earth the beloved left
Left to us.
No other world
But this one:
Willows and the river
And the factory
With its black smokestacks.
No other shore, only this bank
On which the living gather.
No meaning but what we find here.
No purpose but what we make.
That, and the beloved’s clear instructions:
Turn me into song; sing me awake.
“This is what was bequeathed us” from How Beautiful the Beloved by Gregory Orr. Copyright © 2009 by Gregory Orr. Originally published by Copper Canyon Press. Used with the permission of the poet.
This poem was originally read in the On Being episode “Shaping Grief With Language.”
Watch a poetry film version of this on our YouTube channel.
Listen and Read
Poetry Unbound Plus: A Special Offering
Poetry Unbound Plus is a four-part series with Pádraig in conversation with poets — Mary Karr, David Kinloch, Lorna Goodison, and Diane Glancy — about how their work intersects with the literature of the bible.
The Peace of Wild Things
When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.
Wade in the Water
for the Geechee Gullah Ring Shouters
One of the women greeted me.
I love you, she said. She didn’t
Know me, but I believed her,
And a terrible new ache
Rolled over in my chest,
Like in a room where the drapes
Have been swept back. I love you,
I love you, as she continued
Down the hall past other strangers,
Each feeling pierced suddenly
By pillars of heavy light.
I love you, throughout
The performance, in every
Handclap, every stomp.
I love you in the rusted iron
Chains someone was made
To drag until love let them be
Unclasped and left empty
In the center of the ring.
I love you in the water
Where they pretended to wade,
Singing that old blood-deep song
That dragged us to those banks
And cast us in. I love you,
The angles of it scraping at
Each throat, shouldering past
The swirling dust motes
In those beams of light
That whatever we now knew
We could let ourselves feel, knew
To climb. O Woods—O Dogs—
O Tree—O Gun—O Girl, run—
O Miraculous Many Gone—
O Lord—O Lord—O Lord—
Is this love the trouble you promised?
Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.
Before you learn the tender gravity of kindness,
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.
Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.
Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to gaze at bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.
America the Beautiful Again
How I sang O, beautiful like a psalm at church
with my mother, her Cuban accent scaling-up
every vowel: O, bee-yoo-tee-ful, yet in perfect
pitch, delicate and tuned to the radiant beams
of stained glass light. How she taught me to fix
my eyes on the crucifix as we sang our thanks
to our savior for this country that saved us—
our voices hymns as passionate as the organ
piping towards the very heavens. How I sang
for spacious skies closer to those skies while
perched on my father’s sun-beat shoulders,
towering above our first Fourth of July parade.
How the timbre through our bodies mingled,
breathing, singing as one with the brass notes
of the marching band playing the only song
he ever learned in English. How I dared sing it
at assembly with my teenage voice cracking
for amber waves of grain that I’d never seen,
nor the purple mountain majesties—but could
imagine them in each verse rising from my gut,
every exclamation of praise I belted out until
my throat hurt: America! and again America!
How I began to read Nietzsche and doubt god,
yet still wished for god to shed His grace on
thee, and crown thy good with brotherhood.
How I still want to sing despite all the truth
of our wars and our gunshots ringing louder
than our school bells, our politicians smiling
lies at the mic, the deadlock of our divided
voices shouting over each other instead of
singing together. How I want to sing again—
beautiful or not, just to be in harmony—from
sea to shining sea—with the only country
I know enough to know how to sing for.
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