Glennon Doyle’s book Untamed has been a sensation of 2020 and beyond, and now she’s launched a new podcast titled with words of hers that have become a cultural force: We Can Do Hard Things. Meanwhile her wife, the soccer icon Abby Wambach, has her own bestselling books and is hosting a new tv show – Abby’s Places on ESPN+. Krista spoke with them before they were quite so much in the public eye together, and it’s a window into the passions that brought them here. They sat together in Seattle at the 2018 summit of Women Moving Millions, a consortium of women testing the meaning and boundaries of philanthropy. And courage was the theme of the day.

If we didn’t have vast civilizational challenges upon us, we might be living in a constant state of wonder at what science in this century is learning and showing us about the cosmos and about ourselves — the new questions it’s giving us to live. We are the generation of our species to map the genome, to detect black holes colliding, to hear gravitational waves. The physicist Brian Greene is one of our greatest interpreters from the human enterprise that is science. And in his most recent thinking and writing, there’s a stunning evolution in his own approach to science and life and the matters of purpose and meaning. We delve into his exuberant, cosmic lens on living in the here and the now.

Jason Reynolds is the National Ambassador for Young People’s Literature of the Library of Congress — and a magnificent source of wisdom for human society as a whole. He’s driven by compassion and the clear-eyed honesty that the young both possess and demand of the rest of us. Ibram X. Kendi chose him to write the YA companion to Stamped from the Beginning. In his person, Jason Reynolds both embodies and inspires innate human powers of fortitude and imagination. Hear him on “breathlaughter”; the libraries in all of our heads; and a stunning working definition of anti-racism: “simply the muscle that says humans are human… I love you, because you remind me more of myself than not.”

A new translation of Rainer Maria Rilke’s Letters to a Young Poet has been released in a world in which his voice and vision feel as resonant as ever before. In ten letters to a young person in 1903, Rilke touched on the enduring dramas of creating our lives — prophetic musings about solitude and relationship, humanity and the natural world, even gender and human wholeness. And what a joy it is to delve into Rilke’s voice, freshly rendered, with the translators. Krista, Anita and Joanna have communed with Rainer Maria Rilke across time and space and their conversation is infused with friendship as much as ideas.

This poem stretches the word ‘expect’ into dozens of formulations. Proceeding alphabetically through the index of the book, “What to Expect When You’re Expecting,” Katie Manning creates an exhausting list of all the expectations created during pregnancy,about rejecting some pressures and embracing others; surviving some, being knocked over by others. The humor and pace of this poem places insight alongside insidiousness.

Alex Elle complicates the idea of self-care, opening it up as community-care, as a way towards generational healing. And she’s revivifying the meaning of meeting one’s “inner child” for a new generation. Our colleague Lily Percy says she could not have survived the physical isolation of the pandemic without Alex’s writing, teaching, and Instagram presence. So Krista hands over the mic to Lily for this conversation.

The opening poem to Ilya Kaminsky’s masterpiece, Deaf Republic, is written in the voice of someone who is confessing their complacency during a time of trial. There’s a war going on, but it doesn’t affect the person speaking, so they don’t get involved. Instead they stayed outside and caught the sun. They lived happily during the war, and are now saying (forgive us). This poem leaves us wondering what it would mean to make such a confession, to ask for forgiveness, and whether it’d do any good.

After Margaret Noodin recited her poem, “Gimaazinibii’amoon” / “A Message to You,” for this week’s Poetry Unbound episode, she spoke with host, Pádraig Ó Tuama, about the story behind that poem as well as the Anishinaabemowin language, translation, and the importance of language preservation.

A special bilingual poem in Anishinaabemowin and English by Margaret Noodin, a linguist who writes primarily in Anishinaabemowin. This poem of eight lines is filled with location — the sweet sea, the curved shoreline — and gathers melancholy into its song. And it is a song — sung in both languages for us by Margaret Noodin herself.

Elemental human capacities like friendship and love, teaching and learning, have tremendous, constant, practical force. We don’t think of these in terms of what has given our species the grit to endure through hard times and even evolve in the long run. They’re lived social intelligence, part of the everyday, and so can be hard to see as serious amidst the high tumult of our age. But these kinds of human qualities are what sociologist Nicholas Christakis studies from his Human Nature Lab at Yale and his life generously lived. He offers a wide lens, a broad perspective, that deepens and refreshes.

Bereavement brings all kinds of pressures. This poem by Martín Espada starts off with a grief-to-do-list: a phone call, a flight, a blizzard, cremations, shipments of ashes, memorial services. After all of this — in a first stanza that builds in intensity — he needs to be reconnected with something tangible. He goes to feed birds at the park, and among the birds is a goose, like a god of the geese, who shrieks with all the emotion stored in him. This goose is like a priest of grief for Martín Espada, voicing the sounds of all that he’s feeling.