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Career Girls is a love letter to the friendships that shape us in our formative years, and the nostalgia that accompanies us once we’ve grown out of them. The indie movie follows Annie and Hannah, college friends who reunite for the first time since they graduated six years ago. Karen Corday, a writer, was the same age as the characters when she first saw the movie. She says it helped her feel seen and comforted to know that her experiences “just living as a person in the world” were worth exploring.

The movie Brown Sugar is, at its heart, a tribute to hip-hop — complete with a soundtrack featuring artists like Mos Def, Erykah Badu, Jill Scott, and Mary J. Blige. It follows Dre and Sidney, childhood friends whose love of hip-hop is what connects them throughout their life. This coming-of-age story celebrates how love and music feed one another — an idea that spoke to Nick George. From the first time he picked up the DVD at Walmart as a college student to his life now as a spoken-word poet and community leader, Brown Sugar has accompanied him as a grown-up in life, in art, and in love.

Contact takes the sometimes opposing forces of science and religion and puts them in conversation. The movie is based on a 1985 novel by Carl Sagan about Ellie Arroway, a SETI scientist who discovers a radio signal that could suggest extraterrestrial life. During her search she encounters Palmer Joss, a Christian philosopher who challenges her convictions as a scientist. Ellie’s pursuit of meaning outside of religion — an oftentimes lonely endeavor — was an experience Drew Hammond had never seen portrayed in a movie before. A high school teacher, Hammond says the movie granted him permission to stay curious and pursue the questions he has about the world — and it continues to shape how he interacts with his students.

Black Panther made all sorts of history — as the first Marvel production to feature a primarily black cast and the first superhero movie to receive an Academy Award nomination. For Zahida Sherman, a writer and college administrator, taking her students to watch the movie in theaters felt like participating in a historical, cultural moment. “It was just black joy, all day long,” she recalls. In portraying a wide range of black identities — both superhuman and mortal — the movie offered Sherman permission to be herself and see that anything is possible.

Ratatouille is a Pixar feast. The tale of Remy, a rat who dreams of becoming an excellent chef, is a delight to experience in all five senses. One particular character — Anton Ego, the restaurant critic — brings A. O. Scott back to the heart of his own work as a New York Times’ chief film critic. He says Ratatouille changed how he understands the work of criticism. This conversation is not just about food; it’s a reminder to return to our love for our craft — whether that’s food, movies, or something else altogether.

Groundhog Day is a classic movie for two groups of people: Bill Murray fans and anyone who was alive in the ’90s. But writer Naomi Alderman falls into a wholly different category of fandom. The author of The Power first watched Groundhog Day when she was 18 and has seen it dozens of times since then. She says the movie has offered her solace in moments of existential angst and helped her devise a routine for the times when she’s stuck in a rut.

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