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In Leanne O’Sullivan’s poem “Leaving Early,” the poet writes to her ill husband, entrusting him into the care of a nurse named Fionnuala. As the novel coronavirus sweeps the globe, many of us can’t physically be there for loved ones who are sick. Instead, it is the health care workers — and all involved in the health care system — who are tirelessly present, caring for others in spite of exhaustion and the risk it brings to their own wellbeing.

We offer this episode of Poetry Unbound in profound gratitude toward all who are working in health care right now.

Ai-jen Poo is a next-generation labor organizer who co-founded a beautiful and muscular movement with caregivers and those who employ them: the National Domestic Workers Alliance. For over two decades, she has been reinventing policy and engaging a deep conversation that has now met its civilizational moment. This conversation was recorded before “coronavirus” was a word we all knew. But the many dimensions of the crisis now upon us have revealed Ai-jen Poo and her world of wisdom and action as teachers for our life together, in and beyond it.

As Anna Bondoc from Los Angeles wrote to us: So many of us are raised to believe that hard work is what makes us valuable; many of our professions and even our identities as helpers are on hold. How does self-worth interact with just being when we feel we’re doing nothing? Krista reflects on the problem with the phrase “just being” — and how settling inside ourselves right now, and kindness towards ourselves, are gifts to the world we want to make beyond this crisis.

Living the Questions is an occasional On Being segment where Krista muses on questions from our listening community. Submit your own at [email protected].

Poetry Unbound will be back with new episodes this fall. We’re so grateful to those who welcomed the podcast into their lives, and we’d love to hear more about your listening experience. What did you love? What can we improve? And what poetry, poets, or topics would you like to hear host Pádraig Ó Tuama talk about? Take the short survey at onbeing.org/pusurvey.

Emily Dickinson’s poem “1383” honors the friendships that endure across time, circumstance, and even misunderstanding. Akin to fire, the connections in these friendships may be strong enough to burn or hurt us, but Dickinson acknowledges that their light continues to draw us in regardless.

After listening, we invite you to reflect on this question: Think about a friendship that has remained steady for you across the years, even as both of you have changed. Why do you think your relationship has endured?

“When all the ordinary divides and patterns are shattered, people step up to become their brothers’ keepers,” Rebecca Solnit writes. “And that purposefulness and connectedness bring joy even amidst death, chaos, fear, and loss.” In this moment of global crisis, we’re returning to the conversations we’re longing to hear again and finding useful right now. A singular writer and thinker, Solnit celebrates the unpredictable and incalculable events that so often redeem our lives, both solitary and public. She searches for the hidden, transformative histories inside and after events we chronicle as disasters in places like post-Hurricane Katrina New Orleans.

Raymond Antrobus’s poem “Miami Airport” bears witness to the disempowerment that comes when you’re not believed. The voice of the poet is absent, and all we hear is an interrogator seeking to disrupt and displace. This space of suspicion creates anxiety, transporting us to the places and times when someone has questioned the truth of our story.

A question to reflect on after you listen: When have you felt disempowered by questions about yourself? Did you find your voice again? How?

Patrick Kavanagh’s poem “The One” is about seeing beauty in the ordinary places of home. One of Ireland’s most famous poets, Kavanagh grew up in rural County Monaghan and moved to Dublin as a young man. This poem revisits the boglands of his home, which he once hated but came to love.

A question to reflect on after you listen: Think about where you’re from. How has your understanding of it changed over time?

Physicist Carlo Rovelli says humans don’t understand the world as made by things, “we understand the world made by kisses, or things like kisses — happenings.” This everyday truth is as scientific as it is philosophical and political, and it unfolds with unexpected nuance in his science. Rovelli is one of the founders of loop quantum gravity theory and author of the tiny, bestselling book Seven Brief Lessons on Physics and The Order of Time. Seeing the world through his eyes, we understand that there is no such thing as “here” or “now.” Instead, he says, our senses convey a picture of reality that narrows our understanding of its fullness.

Ali Cobby Eckermann’s poem “Kulila” insists on remembering as a moral act. Through the poem, the Aboriginal poet mourns the loss of Indigenous cultures in Australia and how they have been damaged and changed by colonization. Cobby Eckermann calls her readers to a place of listening and lament as a way to keep alive the memory of who we are and who we could’ve been.

A question to reflect on after you listen: What in your culture or community needs to be lamented, honored, and told?

Kei Miller’s poem “Book of Genesis” asks us to imagine a God who makes things spring into life specifically for us. Just as the poet of Genesis proclaims, “Let there be,” Miller wonders what freedom and flourishing we’d find in imagining a “Let” pronounced not for the person others say we should be, but for the person we are.

A question to reflect on after you listen: How can you begin to let yourself flourish today, just as you are?

Lemn Sissay’s poem “Some Things I Like” celebrates what we might consider discardable — like cold tea, ash trays, and even people. Raising a joyous toast to the forgotten and the forgettable, Sissay recognizes the power we give to what we pay attention to and invites us to look anew at all that has been undervalued.

A question to reflect on after you listen: What is something you like that others may not value in the same way?

Joy Harjo’s poem “Praise the Rain” makes space to appreciate all the nuances of our lives. Echoing Rumi’s poem “The Guest House,” she asks us to be present to this moment — the crazy or the sad, the beginning or the end — to greet it all with the powerful word: “Praise.”

A question to reflect on after you listen: What can you praise today?

An everyday task reveals what is made and unmade in small moments. Ross Gay imagines his fingers opening and closing things, like buttons, the eyes of a dead person, relationships. In doing so, the poem asks us to simply pay attention, today, to what we’re doing with our hands — to understand them as intimate pathways into the stories of our bodies and the stories of our lives. 

A question to reflect on after you listen: What have you done with your hands today? What are you opening? What are you closing?

Allison Funk’s poem “The Prodigal’s Mother Speaks to God” tells the age-old story of The Prodigal Son through a new voice: the unnamed woman of the parable. This woman is truthful, wise, and loving. She knows the dedications and limitations of love. She seeks to see clearly, even though it’s hard to see clearly.

A question to reflect on after you listen: When has love been complicated for you?

The wise and beloved Vatican astronomer Father George Coyne died last week. Like most of the Vatican astronomers across history, he was also a Jesuit. More than 30 objects on the moon are named after the Jesuits who mapped it and ten Jesuits in history have had asteroids named after them. Father Coyne was one of the few with this distinction, alongside his friend and fellow Vatican astronomer Brother Guy Consolmagno. In a conversation filled with laughter, we experience the spacious way the two of them approached life, faith, and the universe.

Jane Mead’s “Substance Abuse Trial” is set in a courtroom where a daughter hears her father’s name mispronounced at his trial. As she watches this, she wishes that the court could see the fullness of her father and his story — to bear witness to him as a human being, defined by much more than his addiction.

A question to reflect on after you listen: When was a time when you were judged based on a mistake you made, rather than the fullness of who you are?

Ocean Vuong’s poem “Seventh Circle of Earth” is an homage to the love and intimacy shared by Michael Humphrey and Clayton Capshaw, a gay couple who were murdered in their home in Dallas, Texas. In the midst of recognizing the violence and threat LGBTQI communities face, the poem holds space for tenderness — and honors their love.

A question to reflect on after you listen: What examples have you seen of love and power enacted, even in the face of threat?