Coco is a heartwarming tribute to the spirit of El Día de los Muertos, the Mexican celebration of remembrance. The Pixar movie tells the story of Miguel, a young boy who dreams of becoming a musician. When his family forbids him to perform at a concert on El Día de los Muertos, he steals a guitar from the memorial of a renowned musician and finds himself journeying to the Land of the Dead, where he meets some of his ancestors — and learns more about the role they play in his identity. Writer and critic Monica Castillo was moved by the portrayal of family dynamics, forgiveness, and memory across generations that comes to life through the movie’s beautiful music and animation.

The Exorcist is known for being absolutely terrifying, but film critic Mark Kermode argues that it’s also a masterpiece. He was too young to see the movie when it was released and had to wait six years before he could watch it in a theater. Decades later, he has made documentaries about The Exorcist, written long essays and a book about it, and even became friends with the movie’s director and screenwriter. But he says every time he watches the movie, he’s still taken back to the experience of transcendence and magic he experienced when he watched the movie for the first time.

What does it mean to be good? What does it mean if we aren’t good? Whose fault is it? These are just some of the questions that animate Amadeus, a fictional portrayal of famed composer Wolfgang Amadeus Mozart and his musical rival Antionio Salieri. These questions also inspire Sue Phillips, a Unitarian Universalist minister. She first watched the movie in the late ’80s, just as she was coming out and understanding her place in the world.

Career Girls is a love letter to the friendships that shape us in our formative years, and the nostalgia that accompanies us once we’ve grown out of them. The indie movie follows Annie and Hannah, college friends who reunite for the first time since they graduated six years ago. Karen Corday, a writer, was the same age as the characters when she first saw the movie. She says it helped her feel seen and comforted to know that her experiences “just living as a person in the world” were worth exploring.

The movie Brown Sugar is, at its heart, a tribute to hip-hop — complete with a soundtrack featuring artists like Mos Def, Erykah Badu, Jill Scott, and Mary J. Blige. It follows Dre and Sidney, childhood friends whose love of hip-hop is what connects them throughout their life. This coming-of-age story celebrates how love and music feed one another — an idea that spoke to Nick George. From the first time he picked up the DVD at Walmart as a college student to his life now as a spoken-word poet and community leader, Brown Sugar has accompanied him as a grown-up in life, in art, and in love.

Contact takes the sometimes opposing forces of science and religion and puts them in conversation. The movie is based on a 1985 novel by Carl Sagan about Ellie Arroway, a SETI scientist who discovers a radio signal that could suggest extraterrestrial life. During her search she encounters Palmer Joss, a Christian philosopher who challenges her convictions as a scientist. Ellie’s pursuit of meaning outside of religion — an oftentimes lonely endeavor — was an experience Drew Hammond had never seen portrayed in a movie before. A high school teacher, Hammond says the movie granted him permission to stay curious and pursue the questions he has about the world — and it continues to shape how he interacts with his students.

Black Panther made all sorts of history — as the first Marvel production to feature a primarily black cast and the first superhero movie to receive an Academy Award nomination. For Zahida Sherman, a writer and college administrator, taking her students to watch the movie in theaters felt like participating in a historical, cultural moment. “It was just black joy, all day long,” she recalls. In portraying a wide range of black identities — both superhuman and mortal — the movie offered Sherman permission to be herself and see that anything is possible.

Ratatouille is a Pixar feast. The tale of Remy, a rat who dreams of becoming an excellent chef, is a delight to experience in all five senses. One particular character — Anton Ego, the restaurant critic — brings A. O. Scott back to the heart of his own work as a New York Times’ chief film critic. He says Ratatouille changed how he understands the work of criticism. This conversation is not just about food; it’s a reminder to return to our love for our craft — whether that’s food, movies, or something else altogether.

Groundhog Day is a classic movie for two groups of people: Bill Murray fans and anyone who was alive in the ’90s. But writer Naomi Alderman falls into a wholly different category of fandom. The author of The Power first watched Groundhog Day when she was 18 and has seen it dozens of times since then. She says the movie has offered her solace in moments of existential angst and helped her devise a routine for the times when she’s stuck in a rut.

Our podcast This Movie Changed Me is coming back with a new season of movie magic, featuring conversations about favorites old and new — from Groundhog Day and Black Panther to Coco and The Exorcist.

New episodes coming to your podcast feed Tuesdays in September. Subscribe on Apple Podcasts, Google Podcasts, Spotify, or wherever you get podcasts.

You don’t see many Asian leads in Western cinema, that’s why The Joy Luck Club’s all-Asian cast was so radical. Its portrayal of complicated mother-daughter relationships and the immigrant experience spoke to Amy Choi as a child — and again as a mother.

Movie characters can rewrite the possibilities for our lives. That’s what Uma Thurman’s role as The Bride did for Lauren Wilford. The character redefined Lauren’s idea of femininity — helping her find her inner strength, determination, and persistence.

For Oscar-winning composer Gustavo Santaolalla, the classic German film Wings of Desire transformed how he makes music. It showed him the value of silence and space in sound — qualities he embraced in his music for movies like Brokeback Mountain and Babel.

As an Indian-British-American girl, Rajpreet Heir didn’t feel like she fit anywhere. But Bend It Like Beckham spoke to her across continents. The movie helped her embrace an important truth — that she was never defined by a single identity.

Complex portrayals of women with mental illness are rare. But that’s what Vulture’s Angelica Jade Bastién saw in the Bette Davis feature Now, Voyager. Angelica says the movie saved her life, giving her hope and encouraging her own healing.

Looking for some chill in your life? For the 20th anniversary of The Big Lebowski, Scott Oliver talks about how the movie helped him keep perspective in a time of chaos. In typical Dude fashion, he remembered “nothing is f***ed,” even if it felt that way.

Siblings. Love them or hate them, if you had one — or many — odds are they played a big role in your life. Song Exploder’s Hrishikesh Hirway talks about his relationship with his sister, and how You Can Count On Me shaped the type of brother he wanted to be.

From bodybuilding to thriving in the male-dominated Goldman Sachs, Jacki Zehner turned to Wonder Woman to become the leader she is today. In leading a campaign to bring her hero to the big screen, Jacki embodied the power of women to change the world.