In a poem brimming with love and nostalgia for winter, a poet leaves California to return to their Minnesotan homeplace, a place where winter makes sense, where sadness makes sense, where the isolation that’s at the heart of humanity can be met with a landscape that can contain it. Here, solitude is looked at with wisdom and necessity. A season can deepen the human experience. Joy finds new expressions.

The Color Purple is about the traumas and triumphs of a Black woman named Celie. Set in the Jim Crow South, the story radically centers complicated relationships between Black people, even as whiteness and racism loom in the background. Directed by Steven Spielberg, the movie adaptation of Alice Walker’s classic novel was released in 1985. Both tellings have been beloved companions to Danez Smith, a queer writer and performer. Smith says Walker’s story helped them embrace the messiness of life; “to let life exist best within that brilliant complication that lives somewhere between the joy and pain of a single experience.”

So many of us have been getting through this year by watching movies at home by ourselves, or with friends on Zoom, inventing new ways to grieve and to hope, to keep ourselves laughing, all through the simple act of watching stories unfold on our screens. Movies have the power to unearth the many layers of our identities; to help us answer the question: Who am I? And that is what we trace, by way of a few beloved movies including The Color Purple, The Fly, and Blockers, in this episode.