Philosopher Kwame Anthony Appiah offers hope for quiet, sustained culture shift through the “endless shared conversation” of friendship. The writer of the New York Times “Ethicist” column studies how deep social change happens across time and cultures. “If you have that background of relationship between individuals and communities that is conversational, then when you have to talk about the things that do divide you, you have a better platform.”
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The word “flush” is a verb, as in an activity that we do umpteen times a day. It’s also an adjective that conveys abundance. Fittingly, Rita Wong’s poem “flush” offers a praise song to water’s expansive and unceasing presence in our lives — from our toilets to our teacups, from inside our bodies to outside our buildings, and from our soil to our skies.
We’re pleased to offer Rita Wong’s poem, and invite you to read Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.
“Running has helped me become more present.” Some people turn to prayer or meditation or yoga as a way to slow down and make sense of their lives. Ashley Hicks, the co-founder of Black Girls Run!, found that in running.
March 31, 2020
Living the Questions
At home, frustrated, and stressed — is ‘just being’ worthy right now?
As Anna Bondoc from Los Angeles wrote to us: So many of us are raised to believe that hard work is what makes us valuable; many of our professions and even our identities as helpers are on hold. How does self-worth interact with just being when we feel we’re doing nothing? Krista reflects on the problem with the phrase “just being” — and how settling inside ourselves right now, and kindness towards ourselves, are gifts to the world we want to make beyond this crisis.
Living the Questions is an occasional On Being segment where Krista muses on questions from our listening community. Submit your own at [email protected].
What do sandwiches, laundry, therapy, childhood homes, and forgiveness have to do with each other? Wo Chan weaves a poem that charts the many things a single day can hold.
We’re pleased to offer Wo Chan’s poem, and invite you to connect with Poetry Unbound throughout this season.
A younger woman looks at an older woman, admiring her beauty, skill, and freedom. Older now, she thinks of how hard-won such freedom is.
Also: singing opera while taking off your clothes. That too.
We’re pleased to offer Danusha Laméris’ poem, and thank you for joining us for Season 6 of Poetry Unbound. We’ll be back with Season 7 later in 2023.
Order your copy of Poetry Unbound: 50 Poems to Open Your World and join us in our vibrant conversational space on Substack.
An excerpt from the in-depth On Being conversation between Ai-jen and Krista.
Ai-jen Poo is executive director of the National Domestic Workers Alliance and the co-director of Caring Across Generations. Her book is The Age of Dignity. Her podcast, co-hosted with Alicia Garza, is Sunstorm.
Find the whole produced show — and learn more about Ai-jen’s work and writing — here.
“The best laugh in the world, is laughing at things that are unhappy. And there’s probably a certain level of that in Northern Ireland, a laughing-at-things-that-are-bad.”
Mark McCleary grew up in Northern Ireland during “The Troubles” — a 30-year conflict where humor became a coping mechanism for many to simply get through the day. These jokes live on, he points out, with nuances that hint at the complexity of identity as a Protestant living in Northern Ireland today.
On the day you wake to a broken window in your car, what do you do? And what happens when the woman repairing that window offers a glimpse of something new?
We’re pleased to offer Benjamín Naka-Hasebe Kingsley’s poem, and invite you to connect with Poetry Unbound throughout this season.
Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.
“What makes humor is pattern recognition. Finance is very helpful on that front because there are a lot of patterns that keep repeating themselves.”
Heidi N. Moore uses humor as a tool for understanding the world of finance. She tells stories about the people behind the money — why they do what they do and how they do it, and has done so for many years as a reporter for The Wall Street Journal, The Guardian, and Marketplace. By humanizing something as intimidating as finance, she helps people actually understand it.
Quiet. Shhh. Softly. Don’t make a fuss. Don’t upset the authorities. Victoria Adukwei Bulley unquiets the quiet.
We’re pleased to offer Victoria Adukwei Bulley’s poem, and invite you to connect with Poetry Unbound throughout this season.
Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.
When you move to a new place, everything seems different. Hell’s not hot anymore; it’s freezing. A poem of strangeness and wonder.
We’re pleased to offer Dan Vera’s poem, and invite you to connect with Poetry Unbound throughout this season.
Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.
“Humor is a tool for inclusion and for making everyone realize: we’re all together on this.”
Jonny Sun has formed a devoted community of almost half a million followers on Twitter — tweeting through his alter ego, a lonely alien who views the world as an outsider, with curiosity and wonder. His tweets alternate between silly jokes and insightful, almost Zen-like, poetry. Through his words, he makes the world feel a little less lonely.
Listen daily until you move on to the next Wisdom Practice.
Journal with the ideas, the questions, and invitations raised. Pay attention to how these things surface in your thoughts, in your body, and in interactions and experiences as you move through your days.
Use the Question to Live and Integration Step as further prompts for practicing, and for journaling.
You’re building spiritual and moral muscle memory.
< Back to Retreat
Faisal Mohyuddin’s poem “Prayer” describes a practice of devotion. It’s a spacious and hospitable poem, filled with references to ritual and the body, and an invitation to share in the warm light of a household lamp.
A question to reflect on after you listen: What rituals do you use to anchor yourself?
Toy Story helped Monsignor Charles Pope through a time of personal crisis. From ego to failure to self-acceptance, Charles Pope embraced his inner Buzz Lightyear and in the process, himself.
We are delighted to offer this extended conversation between host Pádraig Ó Tuama and the poet Sasha taqʷšəblu LaPointe. Together, they take a deep dive into the story and language of her poem “Blue,” featured in Season 7 of Poetry Unbound, as well as Sasha’s beginnings in poetry.
Listen to our episode featuring Sasha’s poem “Blue,” and stay connected with Poetry Unbound throughout this season.
This poem starts off by describing how split the poet — Jónína Kirton — feels between two identities: having both Métis and Icelandic heritage. The poem imagines a bridge between these two places and cultures, and arrives, in the second stanza, at the image of a “living root bridge.”It is in this image that the poem anchors itself: a bridge that is part of the earth, a bridge that lives, that is not torn, but alive and growing. This metaphor speaks to what is possible in a life, and helps Jónína Kirton thrive in the tension she thought would tear her.
Letterpress art by Myrna Keliher.