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What’s it like to be owned by the world, to have populations claiming you, to have millions speaking on your behalf? Naomi Shihab Nye takes a close look — from a distance — at Jesus, and herself.


We’re pleased to offer Naomi Shihab Nye’s poem, and invite you to connect with Poetry Unbound throughout this season.

Order your copy of Poetry Unbound: 50 Poems to Open Your World and join us in our vibrant conversational space on Substack.

On the day you wake to a broken window in your car, what do you do? And what happens when the woman repairing that window offers a glimpse of something new?


We’re pleased to offer Benjamín Naka-Hasebe Kingsley’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

Some friendships are built on small encounters and last a lifetime. Two women — from across culture, location, and age — spend a lifetime in communication.


We’re pleased to offer Dunya Mikhail’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

Firefighting pushes the body to breaking point; Kevin Goodan’s poem locates the “ash-dark art” of firefighting not just in the wilderness where the team worked, but in the muscles of the firefighters.


We’re pleased to offer Kevin Goodan’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

Sometimes leaving feels like you’re splitting yourself in two, but you leave anyway. What compels us? What holds us together even as we look back? David Whyte’s poem combines pain and promise as someone is both departing and venturing at the same time.


We’re pleased to offer David Whyte’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

If you were to use a metaphor for your worries, what metaphor would you turn to? Here, the worries have worry babies of their own. And they look back at the poet. What do they see?


We’re pleased to offer Laura Villareal’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

In the modern western world, vocation was equated with work. But each of us has callings, not merely to be professionals, but to be friends, neighbors, colleagues, family, citizens, lovers of the world. Each of us imprints the people in the world around us, breath to breath and hour to hour, as much in who we are and how we are present as in whatever we do. And just as there are callings for a life, there are callings for our time.

Do you experience disgust at the sight of certain insects? Which ones? Fiona Benson teaches us how to see.


In 2019, Fiona collaborated with sound artists Mair Bosworth and Eliza Lomas for an 18-month, singing exploration of the wonders of the insect world as part of the University of Exeter’s Urgency Arts Commissions. The series of workshops culminated in a public anthology of poetry sound pieces called “In the Company of Insects.

We’re pleased to offer Fiona Benson’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

We inhabit a liminal time between what we thought we knew and what we can’t quite yet see. But time is more spacious than we imagine it to be, and it is more of a friend than we always know. Cracking time open, seeing its true manifold nature, expands a sense of the possible in the here and the now. It sends us back to work with the raw materials of our lives, understanding that these are always the materials even of change at a cosmic or a societal level.