The House on Mango Street by Mexican American writer Sandra Cisneros has been taught in high schools across the U.S. for decades. A poetic writer of many genres, she’s received a MacArthur “genius grant,” a National Medal of Arts, and many other accolades. Cisneros grew up in an immigrant household where it was assumed she would marry as her primary destiny. In this warm and lively conversation with a room full of Latinx teens, she gives voice to the choice to be single — and, single or not, to know solitude as sacred.

Tracy K. Smith’s poem “Song” is filled with observations of a loved person; their habits, the things they do when they think nobody is watching. Love is shown and celebrated in observing the small practices of another.

A question to reflect on after you listen: What’s something small and quiet you’ve noticed about a loved one?

Marie Howe’s poem “My Mother’s Body” is wise about age. In the poem, Marie’s mother is young enough to be Marie’s own daughter, and in this imagination there is wonder, understanding, and even forgiveness.

A question to reflect on after you listen: Are there things that you have found easier to understand — or even forgive — as you’ve gotten older?

Journalist Ezra Klein has been widely interviewed about his new book, Why We’re Polarized. In this conversation, he’s frank and reflective about what’s at stake in human terms in this political moment. And he describes how we all — Democrat and Republican, journalist and citizen alike — walked into this as a way to trace our steps out of it.

Faisal Mohyuddin’s poem “Prayer” describes a practice of devotion. It’s a spacious and hospitable poem, filled with references to ritual and the body, and an invitation to share in the warm light of a household lamp.

A question to reflect on after you listen: What rituals do you use to anchor yourself?

Aimee Nezhukumatathil’s poem “On Listening to Your Teacher Take Attendance” offers a way to ground yourself during vulnerable moments. The poet gathers strength from being loved, which helps her in times of displacement.

A question to reflect on after you listen: What stories do you hold on to when you’re feeling displaced?

Brad Aaron Modlin’s poem “What You Missed That Day You Were Absent from Fourth Grade” speaks of learning to grow up by yourself. The poet wonders what life lessons would look like if they could be taught by a teacher; a good teacher, a teacher like Mrs. Nelson.

A question to reflect on after you listen: What life lessons did you have to learn by yourself?

Alison Gopnik understands babies and children as the R&D division of humanity. From her cognitive science lab at the University of California, Berkeley, she investigates the “evolutionary paradox” of the long human childhood. When she first trained in philosophy and developmental psychology, the minds of children were treated as blank slates. But her research is helping us to see what even the most mundane facts of a toddler or a teenager — from fantasy play to rebelliousness — might teach us about what it means to be human.

Civil rights legend Ruby Sales learned to ask “Where does it hurt?” because it’s a question that drives to the heart of the matter — and a question we scarcely know how to ask in public life now. Sales says we must be as clear about what we love as about what we hate if we want to make change. And even as she unsettles some of what we think we know about the force of religion in civil rights history, she names a “spiritual crisis of white America” as a calling of today.

Poetry Unbound features an immersive exploration of a single poem, guided by Pádraig Ó Tuama. Short and unhurried; contemplative and energizing. Anchor your week by listening to the everyday poetry of your life, with new episodes on Monday and Friday during the season. Currently working on season 2 for release in Fall 2020.

Season one features poetry from a diverse cast of poets: current and former poets laureate Joy Harjo and Tracy K. Smith; T.S. Eliot Prize winner Ocean Vuong; classic poets like Emily Dickinson and Patrick Kavanagh; spoken-word artists like Raymond Antrobus; and more.

Subscribe on Apple Podcasts, Spotify, Google Podcasts, Overcast, or wherever you find podcasts.

Brené Brown says our belonging to each other can’t be lost, but it can be forgotten. Her research has reminded the world in recent years of the uncomfortable, life-giving link between vulnerability and courage. Now she’s turning her attention to how we walked into the crisis of our life together and how we can move beyond it: with strong backs, soft fronts, and wild hearts.

Fr. Greg Boyle makes amazingly winsome connections between things like service and delight, compassion and awe. He landed as an idealistic young Jesuit in a gang-heavy neighborhood of Los Angeles three decades ago. Now he heads Homeboy Industries, which employs former gang members in a constellation of businesses from screen printing to a farmers’ market to a bakery. This is not work of helping, he says, but of finding kinship.

The Wiz is a reimagining of the classic Wizard of Oz tale, complete with an all-black, all-star cast and Quincy Jones-produced soundtrack. Diana Ross stars as Dorothy, a 24-year-old school teacher who has never set foot outside her neighborhood in Harlem. When a violent storm transports her to a faraway place, she’s taken out of her comfort zone and yearns to find a way back. Lawyer Michael Strautmanis had never seen a movie that offered a warm portrayal of his experience growing up on the South Side of Chicago in a tight-knit African American community. His love for every aspect of the movie — from the iconic casting to the costume design and music — speaks to the idea that movies help us feel seen.

The Wizard of Oz is one of the most watched films of all time. When a tornado whisks Dorothy and her dog Toto from their Kansas home to the magical Land of Oz, Dorothy has to seek out its wizard to find a way home. Along the way, she makes new friends and encounters all sorts of obstacles — all made delightful by the movie’s iconic original music and use of color, which was groundbreaking at the time. Entrepreneur Seth Godin says the movie made a strong impression on him as a child: Seeing a young person take action inspired him to do the same. “It’s up to us,” he says, “and we could do it if we wanted to.”

The Namesake, an adaptation of Jhumpa Lahiri’s novel, is a moving exploration of the immigrant experience told through the story of the Ganguli family. The parents, Ashoke and Ashima, marry in India and emigrate to New York state, where they raise their two children, Gogol and Sonia. In tracing the lives of two generations of a family, the movie examines not just the opportunity and promise gained from immigrating to a new country, but also all that is lost from one generation to the next. The wholeness of this depiction offered solace to writer Nishta Mehra after her father’s death. For her, the movie mirrored back the parts of her parents’ lives she did not understand as a young person.

“Life is a banquet, and most poor suckers are starving to death!” So declares the title character in the 1958 comedy Auntie Mame. She introduces her Bohemian world to her nephew, Patrick, who comes under her care after he is orphaned. The movie’s celebration of individuality and independence inspired comedian Justin Sayre to embrace his own — whether as a gay person or a queer artist. “You don’t have to do anything you’re told,” he says. “You just have to be kind. And you just have to never stop looking. That’s it.”