We don’t really reward or allow our politicians, good or bad, to be searching, or to change their minds and grow — to admit their human frailty. So it’s surprising to hear Cory Booker say that the best thing that’s happened to him is “being broken, time and time again.” He’s taken flack for talking about politics as “manifesting love.” He speaks with Krista about the inadequacy of tolerance, strengthening the “muscle” of hope, and making your bed as a spiritual practice.

From bodybuilding to thriving in the male-dominated Goldman Sachs, Jacki Zehner turned to Wonder Woman to become the leader she is today. In leading a campaign to bring her hero to the big screen, Jacki embodied the power of women to change the world.

“I think of this as the wisdom of young adulthood and of the teenage years: You have this sense of urgency about what is possible.”

On nurturing the voice and agency of young citizens — and the importance of fostering intergenerational friendships.

Living the Questions is an occasional On Being segment where Krista muses on questions from our listening community.

Movies can fundamentally shape the course of our work. That’s how the 1940s noir-Western The Ox-Bow Incident transformed salsa musician-activist-lawyer Rubén Blades. It taught him that it wasn’t enough to speak about justice — he had to defend its ideals.

The great cellist Yo-Yo Ma is a citizen artist and a forensic musicologist, decoding the work of musical creators across time and space. In his art, Yo-Yo Ma resists fixed boundaries, and would like to rename classical music just “music” — born in improvisation, and traversing territory as vast and fluid as the world we inhabit. In this generous and intimate conversation, he shares his philosophy of curiosity about life, and of performance as hospitality.

What movie helps you reckon with the loss of a loved one? Jamie Berube turned to Interstellar to cope with the death of her father. Matthew McConaughey’s character showed that her father’s love was still alive, beyond the dimensions of time and space.

Nothing is helping us more right now, as we watch human tragedies unfold on the U.S.-Mexican border and elsewhere, than a conversation Krista had last year with literary historian Lyndsey Stonebridge — on thinking and friendship in dark times. She applies the moral clarity of the 20th-century philosopher Hannah Arendt to now — an invitation to dwell on the human essence of events we analyze as political and economic. Our dramas of exile and displacement are existential, she says — about who we will all be as people and political community. What Arendt called the “banality of evil” was at root an inability to hear another voice.

Toy Story helped Monsignor Charles Pope through a time of personal crisis. From ego to failure to self-acceptance, Charles Pope embraced his inner Buzz Lightyear and in the process, himself.

Maria Shriver’s life is often summarized in fairy tale terms. A child of the Kennedy clan in the Camelot aura of the early 1960s. Daughter of Eunice Kennedy Shriver, who founded the Special Olympics, and Sargent Shriver, who helped found the Peace Corps. An esteemed broadcast journalist. First lady of California. This hour, she opens up about having a personal history that is also public history — and how deceptive the appearance of glamour can be. We experience the legendary toughness of the women in Maria Shriver’s family — but also the hard-won tenderness and wisdom with which she has come to raise her own voice.

For Samantha Powell, the pressure to be the perfect adult felt like a stranglehold. But this all changed with Bridget Jones’s Diary. The movie loosened the grip of perfectionism, and taught her she didn’t need to be flawless to be happy.

Her name is synonymous with her fantastically best-selling memoir Eat Pray Love. But through the disorienting process of becoming a celebrity, Elizabeth Gilbert has also reflected deeply on the gift and challenge of inhabiting a creative life. Creativity, as she defines it, is about choosing curiosity over fear — not to be confused with the more familiar trope to “follow your passion,” but rather as something accessible to us all and good for our life together.

What movie mirrors your life so perfectly you think it was made about you? For Entertainment Weekly’s Anthony Breznican, that film is Avalon. The story of a Jewish immigrant family reminds him that families are so much more alike than they are different.

“Race is a little bit like gravity,” john powell says: experienced by all, understood by few. He is a refreshing, redemptive thinker who counsels all kinds of people and projects on the front lines of our present racial longings. Race is relational, he reminds us. It’s as much about whiteness as about color. He takes new learnings from the science of the brain as forms of everyday power. “We don’t have to imagine doing things one at a time,” he says. “It’s not, ‘how do we get there?’ It’s, ‘how do we live?’”

Naomi Shihab Nye uncovers poetry in the everyday, an art practiced in Richard Linklater’s coming-of-age classic, Boyhood. Naomi found herself “living inside” the movie — seeing her daydreaming-childhood-self and life as a mother on screen.

Love is an ability, not just a feeling. That’s the lesson Dan in Real Life brought home for meditation teacher Sharon Salzberg. The story of Steve Carell’s flawed but loveable character echoed Sharon’s own work — to realize love as a capacity within ourselves.