The wonderful civil rights elder Vincent Harding liked to look around the world for what he called “live human signposts” — human beings who embody ways of seeing and becoming and who point the way forward to the world we want to inhabit. And adrienne maree brown, who has inspired worlds of social creativity with her notions of “pleasure activism” and “emergent strategy,” is surely one of these.

We’re listening with new ears as she brings together so many of the threads that have recurred in this season of On Being: on looking the harsh complexity of this world full in the face while dancing with joy as life force and fuel and on keeping clear eyes on the reasons for ecological despair while giving oneself over to a loving apprenticeship with the natural world as teacher and guide. A love of visionary science fiction also finds a robust place in her work and this conversation. She altogether shines a light on an emerging ecosystem in our world over and against the drumbeat of what is fractured and breaking — the cultivation of old and new ways of seeing, towards a transformative wholeness of living.

In our world of so much suffering, it can feel hard or wrong to invoke the word “joy.” Yet joy has been one of the most insistent, recurrent rallying cries in almost every life-giving conversation that Krista has had across recent months and years, even and especially with people on the front lines of humanity’s struggles.

Ross Gay helps illuminate this paradox and turn it into a muscle.

We are good at fighting, as he puts it, and not as good at holding in our imaginations what is to be adored and preserved and exalted — advocating for what we love, for what we find beautiful and necessary. But without this, he says, we cannot speak meaningfully even about our longings for a more just world, a more whole existence for all. To understand that we are all suffering — and so to practice tenderness and mercy —  is a quality of what Ross calls “adult joy.” Starting with his cherished essay collection The Book of Delights, he began to accompany many in an everyday spiritual discipline of practicing delight and cultivating joy.

In this all-new episode, Krista engages biomimicry pioneer Janine Benyus in a second, urgent conversation, alongside creative biomimicry practitioner Azita Ardakani Walton. Together they trace precise guidance and applied wisdom from the natural world for the civilizational callings before us now.

What does nature have to teach us about healing from trauma? And how might those of us aspiring to good and generative lives start to function like an ecosystem rather than a collection of separate, siloed projects? We are in kinship. How to make that real — and in making it real, make it more of an offering to the whole wide world?

Krista, Azita, and Janine spoke at the January 2024 gathering of visionaries, activists, and creatives where Krista also drew out Lyndsey Stonebridge and Lucas Johnson for the recent episode on Hannah Arendt. We’re excited to bring you back into that room.

There is an ecological transformation unfolding in the places we love and come from. On a front edge of this reality, which will affect us all, Colette Pichon Battle is a singular model of brilliance and graciousness of mind and spirit and action. And to be with her is to open to the way the stories we tell have blunted us to the courage we’re called to, and the joy we must nurture, as life force and fuel for the work ahead. As a young woman, she left her home state of Louisiana and land to which her family belonged for generations, to go to college and become a powerful lawyer in Washington, D.C. Then in 2005, after Hurricane Katrina made, as she has said, “a crack in the universe,” she returned home to a whole new life and calling. Colette Pichon Battle is a vivid embodiment of the new forms societal shift is taking in our world — led by visionary pragmatists close to the ground, in particular places, persistently and lovingly learning and leading the way for us all.

The ecological crisis we are standing before is at once civilizational and personal — intimately close to each of us in the places we love and inhabit, and unfolding at a species level. And as much as anyone alive on the planet now, Christiana Figueres has felt the overwhelm of this and stepped into service. She gives voice so eloquently to the grief that we feel and must allow to bind us to each other — and what she sees as a spiritual evolution the natural world is calling us to.

If you have wondered how to keep hope alive amidst a thousand reasons to despair, if you are ready to take your despair as fuel — intrigued by the idea of stepping into love and immediate realities of abundance and regeneration — this conversation is for you.

Baratunde Thurston is a comedian, writer, and media entrepreneur. He has eyes open to the contradictions, strangeness, and beauty of being human. He looks for learning happening even amidst our hardest cultural tangles. And he intertwines all of this, innovatively and searchingly, with his lifelong joy in the natural world.

The kaleidoscopic view of life and love and the world that is Baratunde’s builds and builds in this conversation Krista had with him around the edges of the 2023 Aspen Ideas Festival — towards an exuberant glimpse of how we can all be more fully human and socially creative.

There is a quiet, redemptive story of our time in this conversation — a radical way of approaching the gravest of our problems by attending to how original vitality functions. Biomimicry takes the natural world as mentor and teacher — for, as Janine Benyus puts it, “we are surrounded by geniuses.” Nature solves problems and performs what appear to us as miracles in every second, all around: running on sunlight, fitting form to function, recycling everything, relentlessly “creating conditions conducive to life.” Janine launched this way of seeing and imagining as a field with her 1997 book, Biomimicry: Innovation Inspired by Nature. Today she teaches and consults with all kinds of projects and organizations, including major corporations, as you’ll hear.

Welcome to this unfolding parallel universe in our midst, which might just shift the way you see almost everything about our possible futures.

This conversation was part of The Great Northern Festival, a celebration of Minnesota’s signature cold, creative winters.

You might want to take a walk with this one. It is big and full of brain food and an enlivening opening of imagination to possibilities that are emergent now: the notion of the “broad commonwealth of life” that we are “inextricably entangled with and suffused by”; the paradox that the more accurately you try to measure some things, the more unmeasurable they become; the way words we use all the time have kept our cellular belonging to the natural world alive, even as civilization forgot.

The technologist/artist James Bridle brings all of this into interplay with an intriguing, refreshing lens on our lives with technology — and with all that artificial intelligence is and might become.

You might not think of intelligence the same way again, or the truth of mythology, or the letters of the alphabet, or what it means to be human. And you will smile next time you access the place where your digital life is stored and realize what it says about us that we named it The Cloud.

An electric conversation with Ada Limón’s wisdom and her poetry — a refreshing, full-body experience of how this way with words and sound and silence teaches us about being human at all times, but especially now. With an unexpected and exuberant mix of gravity and laughter — laughter of delight, and of blessed relief — this conversation holds not only what we have traversed these last years, but how we live forward. 

It unfolded at the Ted Mann Concert Hall in Minneapolis, in collaboration with Northrop at the University of Minnesota and Ada Limón’s publisher, Milkweed Editions.

One of the most fascinating developments of our time is that human qualities we have understood in terms of virtue — experiences we’ve called spiritual — are now being taken seriously by science as intelligence — as elements of human wholeness. Dacher Keltner and his Greater Good Science Center at Berkeley have been pivotal in this emergence. From the earliest years of his career, he investigated how emotions are coded in the muscles of our faces, and how they serve as “moral sensory systems.” He was called on as Emojis evolved; he consulted on Pete Docter’s groundbreaking movie Inside Out.

All of this, as Dacher sees it now, led him deeper and deeper into investigating the primary experience of awe in human life — moments when we have a sense of wonder, an experience of mystery, that transcends our understanding. These, it turns out, are as common in human life globally as they are measurably health-giving and immunity-boosting. They bring us together with others, again and again. They bring our nervous system and heartbeat and breath into sync — and even into sync with other bodies around us.

Amidst all of the perspectives and arguments around our ecological future, this much is true: we are not in the natural world — we are part of it. The next-generation marine biologist Ayana Elizabeth Johnson would let that reality of belonging show us the way forward. She loves the ocean. She loves human beings. And she’s animated by questions emerging from those loves — and from the science she does — which we scarcely know how to take seriously amidst so much demoralizing bad ecological news. This hour, Krista draws out her creative and pragmatic inquiry: Could we let ourselves be led by what we already know how to do, and by what we have it in us to save? What, she asks, if we get this right?

Few books have been more eagerly passed from hand to hand with delight in these last years than Robin Wall Kimmerer’s Braiding Sweetgrass. Krista interviewed her in 2015, and it quickly became a much-loved show as her voice was just rising in common life. Robin is a botanist and also a member of the Citizen Potawatomi Nation. She’s written, “Science polishes the gift of seeing, Indigenous traditions work with gifts of listening and language.” An expert in moss — a bryologist — she describes mosses as the “coral reefs of the forest.” Robin Wall Kimmerer opens a sense of wonder and humility for the intelligence in all kinds of life we are used to naming and imagining as inanimate.

The late poet Mary Oliver is among the most beloved writers of modern times. Amidst the harshness of life, she found redemption in the natural world and in beautiful, precise language. She won the Pulitzer Prize and the National Book Award among her many honors — and published numerous collections of poetry and also some wonderful prose. Krista met with her in 2015 for this rare, intimate conversation. We offer it up anew, as nourishment.

The ornithologist J. Drew Lanham is lyrical in the languages of science, humans, and birds. His celebrated books include The Home Place: Memoirs of a Colored Man’s Love Affair with Nature and a collection of poetry and meditations called Sparrow Envy: Field Guide to Birds and Lesser Beasts. J. Drew Lanham’s way of seeing and hearing and noticing the present and the history that birds traverse — through our backyards and beyond — is a revelatory way to be present to the world and to life in our time.

This conversation took place in partnership with The Great Northern.

Acoustic ecologist Gordon Hempton collects sounds from around the world. He’s recorded inside Sitka spruce logs in the Pacific Northwest, thunder in the Kalahari Desert, and dawn breaking across six continents. An attentive listener, he says silence is an endangered species on the verge of extinction. He defines real quiet as presence — not an absence of sound but an absence of noise. We take in the world through his ears.

The esteemed writer Jane Hirshfield has been a Zen monk and a visiting artist among neuroscientists. She has said this: “It’s my nature to question, to look at the opposite side. I believe that the best writing also does this … It tells us that where there is sorrow, there will be joy; where there is joy, there will be sorrow … The acknowledgement of the fully complex scope of being is why good art thrills … Acknowledging the fullness of things,” she insists, “is our human task.” And that’s the ground Krista meanders with Jane Hirshfield in this conversation: the fullness of things — through the interplay of Zen and science, poetry and ecology — in her life and writing.

In so many stories and fables that shape us, cold and snow, the closing in of the light — these have deep psychological, as much as physical, reality. This is “wintering,” as the English writer Katherine May illuminates in her beautiful, meditative book of that title — at once a season of the natural world, a respite our bodies require, and a state of mind. Krista first spoke with Katherine in midwinter 2020, and their conversation continues to offer a helpful container for our pandemic time: as one vast, extended, communal experience of wintering. As 2021 draws to a close — still with so much to metabolize and to carry, with an aching need for replenishment — Katherine May opens up exactly what so many have needed to hear, but haven’t known how to name.

Jane Goodall’s early research studying chimpanzees helped shape the self-understanding of our species and recalled modern Western science to the fact that we are a part of nature, not separate from it. In honor of the publication of her 32nd book — The Book of Hope: A Survival Guide for Trying Times — we’re re-releasing her beautiful conversation with Krista over Zoom from pandemic lockdown. From her decades studying chimpanzees in the Gombe forest to her more recent years attending to human poverty and misunderstanding, the legendary primatologist reflects on the moral and spiritual convictions that have driven her, and what she is teaching and still learning about what it means to be human.