Here are some experiences to which Nick Cave gives voice and song: the “universal condition” of yearning, and of loss; a “spirituality of rigor”; and the transcendent and moral dimensions of what music is about. This Australian musician, writer, and actor first made a name in the wild world of ’80s post-punk and later with Nick Cave and the Bad Seeds. He also underwent public struggles with addiction and rehab.

Since the accidental death of his 15-year-old son Arthur in 2015, and a few years later, the death of his eldest child Jethro, he has entered yet another transfigured era, co-created an exquisite book called Faith, Hope and Carnage, and become a frank and eloquent interlocutor on grief. As a human and a songwriter, Nick Cave is an embodiment of a life examined and evolved. He sat with Krista in the On Being studio in Minneapolis, and the gorgeous conversation that followed is woven in this episode with his gorgeous music.

Our built world is designed around something called “normal,” and yet every single one of our bodies is mysterious, and constantly adapting for better or worse — and always, always changing. This is a fact so ordinary — and yet not something most of us routinely pause to know and to ponder and work with. But Sara Hendren has made it her passion, bringing to it her varied vocations and gifts: being a painter and loving how art reveals truth not by way of simplicity, but by juxtaposition; teaching design to engineering students; parenting three beloved children, one of whom has Down syndrome.

This is a conversation that will have you moving through the world both marveling at the ordinary adaptations that bodies make and asking, in Sara’s words, “restless and generative questions”: of why we organize the physical world as though vulnerability and needs for assistance are not commonplace — indeed salutary — forms of experience that reveal the genius of what being human is all about.

Baratunde Thurston is a comedian, writer, and media entrepreneur. He has eyes open to the contradictions, strangeness, and beauty of being human. He looks for learning happening even amidst our hardest cultural tangles. And he intertwines all of this, innovatively and searchingly, with his lifelong joy in the natural world.

The kaleidoscopic view of life and love and the world that is Baratunde’s builds and builds in this conversation Krista had with him around the edges of the 2023 Aspen Ideas Festival — towards an exuberant glimpse of how we can all be more fully human and socially creative.

“Becoming other people” for a living, as Kerry Washington likes to describe her craft, turns out to be a revelatory lens on the high drama that is the human condition. As a “learning actor,” a kind of actor/anthropologist, she has brought elegance and moral rigor to all kinds of roles: as the uber-glamorous, tough-as-nails Olivia Pope on Scandal; as the wife of Idi Amin and the wife of Ray Charles; from Little Fires Everywhere to Django Unchained. Just after Scandal ended seven triumphant seasons, she starred on Broadway as Kendra, a jeans-clad mother in a Miami police station waiting to hear what has happened to her beloved son. Krista was in that audience, and saw how Kerry attended not just to her role on stage but to bringing a beautifully racially mixed audience to participating and reflecting together.

So this conversation has been a while in coming. It is rich with grace and surprising angles of insight — on the roles we all learn to play in the stories of the lives that we are given, and the evolution that is possible in how we assume those characters and leave them behind and grow them up.

This episode of On Being was produced with consideration of the ongoing SAG-AFTRA strike and with external legal guidance. In distributing this episode, we attest to our belief that no statements made involve promotion of struck work in violation of the SAG-AFTRA Strike Order.

The flow and the ingredients by which an idea becomes an offering — and life practices which call that alchemy forth. The mystery of it all that can only be named and wondered at — and the ordinary mystery that creativity is a human birthright, a way of being rather than doing, that beckons to us all, in everything we do, from crafting something to conversing to the arranging of furniture in a room.

This is where Krista goes with the rock star music producer Rick Rubin. It’s not a conversation about the creative process of the many great musicians he’s worked with — but a conversation that is for and about us all.

There are some surprises, too, in his lovely, soothing voice — like the way he finds a metaphor for all of life in pro wrestling. And he leaves the doors of his studio wide open as they speak, so there is a soundtrack of ocean waves.

You might want to take a walk with this one. It is big and full of brain food and an enlivening opening of imagination to possibilities that are emergent now: the notion of the “broad commonwealth of life” that we are “inextricably entangled with and suffused by”; the paradox that the more accurately you try to measure some things, the more unmeasurable they become; the way words we use all the time have kept our cellular belonging to the natural world alive, even as civilization forgot.

The technologist/artist James Bridle brings all of this into interplay with an intriguing, refreshing lens on our lives with technology — and with all that artificial intelligence is and might become.

You might not think of intelligence the same way again, or the truth of mythology, or the letters of the alphabet, or what it means to be human. And you will smile next time you access the place where your digital life is stored and realize what it says about us that we named it The Cloud.

Nick Offerman has played many great characters, most famously Ron Swanson in Parks and Recreation, and he starred more recently in an astonishing episode of The Last of Us. But he is driven by passionate callings older and deeper than his public vocation as an actor and comedian. He works with wood, and he works with other people who work with their hands making beautiful, useful things. And this, it turns out, is also a primary source of his tethering in values. It’s a source of a spiritual thoughtfulness that runs through this conversation with Krista. So is his love and study of the farmer-poet Wendell Berry, whose audiobook The Need to Be Whole Nick just recorded.

This is a moving and edifying conversation that is also, not surprisingly, a lot of fun.

An electric conversation with Ada Limón’s wisdom and her poetry — a refreshing, full-body experience of how this way with words and sound and silence teaches us about being human at all times, but especially now. With an unexpected and exuberant mix of gravity and laughter — laughter of delight, and of blessed relief — this conversation holds not only what we have traversed these last years, but how we live forward. 

It unfolded at the Ted Mann Concert Hall in Minneapolis, in collaboration with Northrop at the University of Minnesota and Ada Limón’s publisher, Milkweed Editions.

Each and every adult is a former eight-year-old, wide open with yearning and possibility; understanding exactly how troubled the adults around you are, even if they think they are hiding it from you; almost unbearably alert to the world’s wonders and its dangers all at once. And that’s the reason you should listen to this conversation with Kate DiCamillo, even if you’ve never heard of her bounty of books beloved by teachers, parents, and former children who’ve grown up reading her. They include Because of Winn-Dixie, The Tale of Despereaux, The Magician’s Elephant, The Miraculous Journey of Edward Tulane, and Flora & Ulysses. Krista read Kate’s books with her children. Then, in the early pandemic months, feeling unmoored, she cracked them open to read by herself, inspired by a piece in the New York Times by the wonderful writer of adult novels, Ann Patchett. She wrote of making her way through the Kate DiCamillo opus as one of the most satisfying literary adventures of her life — and also incredibly calming. With honesty and wisdom, laughter and tears, Kate DiCamillo makes bearable the mysterious fact that hope and heartbreak live so close, side by side, in real life. This is her gift to her readers, and to us this hour.

The esteemed writer Jane Hirshfield has been a Zen monk and a visiting artist among neuroscientists. She has said this: “It’s my nature to question, to look at the opposite side. I believe that the best writing also does this … It tells us that where there is sorrow, there will be joy; where there is joy, there will be sorrow … The acknowledgement of the fully complex scope of being is why good art thrills … Acknowledging the fullness of things,” she insists, “is our human task.” And that’s the ground Krista meanders with Jane Hirshfield in this conversation: the fullness of things — through the interplay of Zen and science, poetry and ecology — in her life and writing.

We are digging into the archives to celebrate some of the conversations listeners have loved the most and that have shaped this project. Béla Fleck is one of the greatest living banjo players. He’s followed what many experience as this quintessential American roots instrument back to its roots in Africa, and he’s taken it where no banjo has gone before. Abigail Washburn is a celebrated banjo player and singer, both in English and Chinese. These two are partners in music and in life — recovering something ancient and deeply American all at once, bringing both beauty and refreshment to what they play and how they live.

The wonderful writer Luis Alberto Urrea says that a deep truth of our time is that “we miss each other.” He is singularly wise about the deep meaning and the problem of borders. The Mexican-American border, as he likes to say, ran straight through his parents’ Mexican-American marriage and divorce. His works of fiction and non-fiction confuse every dehumanizing caricature of Mexicans — and of U.S. border guards. The possibility of our time, as he lives and witnesses with his writing, is to evolve the old melting pot to the 21st-century richness of “us” — with all the mess and necessary humor required.

“Though we have instructions and a map buried in our hearts when we enter this world,” the extraordinary Joy Harjo has written, “nothing quite prepares us for the abrupt shift to the breathing realm.” She is a saxophone player and performer, a visual artist, a member of the Muscogee Creek Nation, and the 23rd Poet Lau­re­ate of the Unit­ed States. She opens up with Krista about her life, dreaming as a way of relating to time and place, and the story matrix that connects us all.

Hanif Abdurraqib’s writing is filled with lyricism, rhythm, people and precision. In his essays and poetry, he introduces readers to a soundscape of Black performance and Black joy: we hear hip-hop and jazz, we hear Nina Simone, Aretha Franklin and Little Richard. Music and performance of every kind are the source of his fascination, focus and wisdom: what makes people cry, or feel safe, or brave; held in struggle, joy, or love. Hanif is interviewed by our colleague, Pádraig Ó Tuama, a poet himself and the host of On Being Studios’ Poetry Unbound podcast, now in its third season.

“Remember,” Bryan Doerries likes to say in both physical and virtual gatherings, “you are not alone in this room — and you are not alone across time.” With his public health project, Theater of War, he is activating an old alchemy for our young century. Ancient stories, and texts that have stood the test of time, can be portals to honest and dignified grappling with present wounds and longings and callings that we aren’t able to muster in our official places now. It’s an embodiment of the good Greek word catharsis — releasing both insight and emotions that have had no place to go, and creating an energizing relief. And it is now unfolding in the “amphitheater” of Zoom that Sophocles could not have imagined.

It’s pretty intriguing to follow poet Naomi Shihab Nye’s idea that most of us actually “think in poems” whether we know it or not. Rarely, as she points out, do you hear anyone say they feel worse after writing things down. That, she says, can be a tool to survive in hard times like these, to anchor our days and to get into a conversation and community with all of the selves that live on in each of us at any given moment — “your child self, your older self, your confused self, your self-that-makes-a-lot-of-mistakes.” We also hear her read her beloved poem “Kindness” and tell us the story behind it.

Gaelynn Lea’s voice and violin land like a balm — an offering of both clarity and gladness that can still be mustered in this midwinter, this upended Christmas season. She first came to the attention of many when she won NPR Music’s Tiny Desk Contest in 2016. This fiddler and singer-songwriter moves through the world in an electric wheelchair, and plays the violin like a cello because of the disability she was born with — a genetic condition that has made her bones more breakable. So much of what she’s learned through life in her body lands as wisdom, right now.

The poet Jericho Brown reminds us to bear witness to the complexity of the human experience, to interrogate the proximity of violence to love, and to look and listen closer so that we might uncover the small truths and surprises in life. His presence is irreverent and magnetic, as the high school students who joined us for this conversation experienced firsthand at the 2018 Geraldine R. Dodge Poetry Festival. And now he’s won the 2020 Pulitzer Prize for Poetry.

Editor’s note: This interview discusses sexual violence and rape.