Pádraig Ó Tuama is a poet, theologian, and extraordinary healer in our world of fracture. He leads the Corrymeela community of Northern Ireland, a place that has offered refuge since the violent division that defined that country until the 1998 Good Friday Agreement. Ó Tuama and Corrymeela extend a quiet, generative, and joyful force far beyond their northern coast to people around the world. Over cups of tea and the experience of bringing people together, he says it becomes possible to talk with each other and be in the same room with the people we talk about.
Poets & Poetry
A Buddhist philosopher of ecology, Joanna Macy says we are at a pivotal moment in history with the possibility to unravel or create a life-sustaining human society. Now entering her 90s, Macy has lived adventurously by any definition. She worked with the CIA in Cold War Europe and the Peace Corps in post-colonial India and was an early environmental activist. She brings a poetic and spiritual sensibility to her work that’s reflected in her translations of the early-20th-century poet Rainer Maria Rilke. We take that poetry as a lens on her wisdom on the great dramas of our time: ecological, political, personal.
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September 24, 2020
‘Poetry Unbound’ Returns, With Wisdom For Living Now
Poetry rises up in human societies in times of crisis when official words fail us and we lose sight of how to find our way back to one another; how to hear each other’s voices. This week we offer a preview of the next season of our Poetry Unbound podcast, which returns on Monday, Sept. 28. Each episode takes a single poem as its center, with host Pádraig Ó Tuama reading the poem and meditating on it. In this hour, we dwell with six poems that accompany the struggle, strangeness, and possibilities of being alive in this time.
Amid the harshness of life, Mary Oliver found redemption in the natural world and in beautiful, precise language. Oliver, who died in 2019, was one of the most beloved poets of modern times. She sat with Krista for a rare, intimate conversation in 2015.
Marilyn Nelson is a storytelling poet. She has taught poetry and contemplative practice to college students and West Point cadets. She brings a contemplative eye to ordinary goodness in the present and to complicated ancestries we’re all reckoning with now. And she imparts a spacious perspective on what “communal pondering” might mean.
Books that fortify the young also have a power to help heal adults; so, too, does this conversation with writer Jason Reynolds. He is the National Ambassador for Young People’s Literature of the Library of Congress and author of a new companion to Ibram X. Kendi’s history of racism, Stamped From the Beginning, for young readers.
We often explore on this show the places in the human experience where ordinary language falls short. The poet Gregory Orr has wrested gentle, healing, life-giving words from extreme grief and trauma. And right now we are all carrying some magnitude of grief in our bodies.
Krista interviewed the writer Ocean Vuong on March 8 in a joyful room full of podcast makers at On Air Fest in Brooklyn. None of us would have guessed that within a handful of days such an event would become unimaginable. So this conversation holds a last memory before the world shifted on its axis. More stunning is how exquisitely Ocean Vuong spoke on that day to the world we have now entered — its heartbreak, its poetry, and its possibilities of both destroying and saving.
April 16, 2020
Wendell Berry and Ellen Davis
The Art of Being Creatures
In this intimate conversation between Krista and one of her beloved teachers, we ponder the world and our place in it, through sacred text, with fresh eyes. We’re accompanied by the meditative and prophetic poetry of Wendell Berry, read for us from his home in Kentucky: “Stay away from anything / that obscures the place it is in. / There are no unsacred places; / there are only sacred places / and desecrated places. / Accept what comes of silence.”
In Leanne O’Sullivan’s poem “Leaving Early,” the poet writes to her ill husband, entrusting him into the care of a nurse named Fionnuala. As the novel coronavirus sweeps the globe, many of us can’t physically be there for loved ones who are sick. Instead, it is the health care workers — and all involved in the health care system — who are tirelessly present, caring for others in spite of exhaustion and the risk it brings to their own wellbeing.
We offer this episode of Poetry Unbound in profound gratitude toward all who are working in health care right now.
In this unsettled moment, we’re returning to the shows we’re longing to hear again. Among them is this 2019 conversation with writer Ross Gay. The ephemeral nature of our being allows him to find delight in all sorts of places (especially his community garden). To be with Gay is to train your gaze to see the wonderful alongside the terrible; to attend to and meditate on what you love, even in the midst of difficult realities and as part of working for justice.
Emily Dickinson’s poem “1383” honors the friendships that endure across time, circumstance, and even misunderstanding. Akin to fire, the connections in these friendships may be strong enough to burn or hurt us, but Dickinson acknowledges that their light continues to draw us in regardless.
After listening, we invite you to reflect on this question: Think about a friendship that has remained steady for you across the years, even as both of you have changed. Why do you think your relationship has endured?
Raymond Antrobus’s poem “Miami Airport” bears witness to the disempowerment that comes when you’re not believed. The voice of the poet is absent, and all we hear is an interrogator seeking to disrupt and displace. This space of suspicion creates anxiety, transporting us to the places and times when someone has questioned the truth of our story.
A question to reflect on after you listen: When have you felt disempowered by questions about yourself? Did you find your voice again? How?
Patrick Kavanagh’s poem “The One” is about seeing beauty in the ordinary places of home. One of Ireland’s most famous poets, Kavanagh grew up in rural County Monaghan and moved to Dublin as a young man. This poem revisits the boglands of his home, which he once hated but came to love.
A question to reflect on after you listen: Think about where you’re from. How has your understanding of it changed over time?
Ali Cobby Eckermann’s poem “Kulila” insists on remembering as a moral act. Through the poem, the Aboriginal poet mourns the loss of Indigenous cultures in Australia and how they have been damaged and changed by colonization. Cobby Eckermann calls her readers to a place of listening and lament as a way to keep alive the memory of who we are and who we could’ve been.
A question to reflect on after you listen: What in your culture or community needs to be lamented, honored, and told?
Kei Miller’s poem “Book of Genesis” asks us to imagine a God who makes things spring into life specifically for us. Just as the poet of Genesis proclaims, “Let there be,” Miller wonders what freedom and flourishing we’d find in imagining a “Let” pronounced not for the person others say we should be, but for the person we are.
A question to reflect on after you listen: How can you begin to let yourself flourish today, just as you are?
Lemn Sissay’s poem “Some Things I Like” celebrates what we might consider discardable — like cold tea, ash trays, and even people. Raising a joyous toast to the forgotten and the forgettable, Sissay recognizes the power we give to what we pay attention to and invites us to look anew at all that has been undervalued.
A question to reflect on after you listen: What is something you like that others may not value in the same way?
Joy Harjo’s poem “Praise the Rain” makes space to appreciate all the nuances of our lives. Echoing Rumi’s poem “The Guest House,” she asks us to be present to this moment — the crazy or the sad, the beginning or the end — to greet it all with the powerful word: “Praise.”
A question to reflect on after you listen: What can you praise today?
Ross Gay’s poem “Ode to Buttoning and Unbuttoning My Shirt” uses an everyday task to examine what is made and unmade in small moments. He imagines his fingers opening and closing things, like buttons, the eyes of a dead person, relationships. In doing so, the poem asks us to simply pay attention, today, to what we’re doing with our hands — to understand them as intimate pathways into the stories of our bodies and the stories of our lives.
A question to reflect on after you listen: What have you done with your hands today? What are you opening? What are you closing?
February 21, 2020
A Poem for Complicated Stories of Love
Allison Funk’s poem “The Prodigal’s Mother Speaks to God” tells the age-old story of The Prodigal Son through a new voice: the unnamed woman of the parable. This woman is truthful, wise, and loving. She knows the dedications and limitations of love. She seeks to see clearly, even though it’s hard to see clearly.
A question to reflect on after you listen: When has love been complicated for you?
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The Pause is our Saturday morning newsletter, a gathering of threads from the far-flung, ongoing conversation that is The On Being Project. Stay up to date with our latest podcasts, writings, live events, and more.
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