The wonderful civil rights elder Vincent Harding liked to look around the world for what he called “live human signposts” — human beings who embody ways of seeing and becoming and who point the way forward to the world we want to inhabit. And adrienne maree brown, who has inspired worlds of social creativity with her notions of “pleasure activism” and “emergent strategy,” is surely one of these.

We’re listening with new ears as she brings together so many of the threads that have recurred in this season of On Being: on looking the harsh complexity of this world full in the face while dancing with joy as life force and fuel and on keeping clear eyes on the reasons for ecological despair while giving oneself over to a loving apprenticeship with the natural world as teacher and guide. A love of visionary science fiction also finds a robust place in her work and this conversation. She altogether shines a light on an emerging ecosystem in our world over and against the drumbeat of what is fractured and breaking — the cultivation of old and new ways of seeing, towards a transformative wholeness of living.

We humans have this drive to erect barriers between ourselves and others, Luis Alberto Urrea says, and yet this makes us a little crazy. He is an exuberant, wise, and refreshing companion into the deep meaning and the problem of borders — what they are really about, what we do with them, and what they do to us.

The Mexican-American border was as close and personal to him as it could be when he was growing up — an apt expression of his parents’ turbulent Mexican-American divorce. In his writing and in this conversation, he complicates every dehumanizing stereotype of Mexicans, “migrants” — and border guards. A deep truth of our time, Luis insists, is that “we miss each other.” He offers a vision of the larger possibility of our time beyond the terrible tangles of today: that we might evolve the old illusion of the melting pot into a 21st-century richness of “us.” And he delightfully models that messiness and humor will be required.

In her writing, it is Kate DiCamillo’s gift to make bearable the fact that joy and sorrow live so close, side by side, in life as it is (if not as we wish it to be). In this conversation, along with good measures of raucous laughter and a few tears, Kate summons us to hearts “capacious enough to contain the complexities and mysteries of ourselves and each other” — qualities these years in the life of the world call forth from all of us, young and old, with ever greater poignancy and vigor.

This phrase recurs throughout Clint Smith’s writing: “in the marrow of our bones.” It is an example of how words can hold encrypted wisdom — in this case, the reality that memory and emotion lodge in us physically. Words and phrases have carried this truth forward in time long before we had the science to understand it.

Clint Smith is best known for his 2021 book, How the Word Is Passed, but he is first and foremost a poet. He and Krista discuss how his various life chapters have been real-world laboratories for him to investigate the entanglement between language and the intelligence of the body — and the related entanglement between history and place. His poetic sensibility has singularly opened readers to approach a generative reckoning with American history — on whatever side of that history our ancestors stood.

Clint Smith has a way of making reckoning possible at a humanizing, softening, bodily level — in the marrow, you might say, of our bones.

You might want to take a walk with this one. It is big and full of brain food and an enlivening opening of imagination to possibilities that are emergent now: the notion of the “broad commonwealth of life” that we are “inextricably entangled with and suffused by”; the paradox that the more accurately you try to measure some things, the more unmeasurable they become; the way words we use all the time have kept our cellular belonging to the natural world alive, even as civilization forgot.

The technologist/artist James Bridle brings all of this into interplay with an intriguing, refreshing lens on our lives with technology — and with all that artificial intelligence is and might become.

You might not think of intelligence the same way again, or the truth of mythology, or the letters of the alphabet, or what it means to be human. And you will smile next time you access the place where your digital life is stored and realize what it says about us that we named it The Cloud.

An electric conversation with Ada Limón’s wisdom and her poetry — a refreshing, full-body experience of how this way with words and sound and silence teaches us about being human at all times, but especially now. With an unexpected and exuberant mix of gravity and laughter — laughter of delight, and of blessed relief — this conversation holds not only what we have traversed these last years, but how we live forward. 

It unfolded at the Ted Mann Concert Hall in Minneapolis, in collaboration with Northrop at the University of Minnesota and Ada Limón’s publisher, Milkweed Editions.

Krista interviewed the wise and wonderful writer Ocean Vuong on March 8, 2020 in a joyful, crowded room full of podcasters in Brooklyn. A state of emergency had just been declared in New York around a new virus. But no one guessed that within a handful of days such an event would become unimaginable. Most stunning is how presciently, exquisitely Ocean speaks to the world we have come to inhabit— its heartbreak and its poetry, its possibilities for loss and for finding new life.

“I want to love more than death can harm. And I want to tell you this often: That despite being so human and so terrified, here, standing on this unfinished staircase to nowhere and everywhere, surrounded by the cold and starless night — we can live. And we will.”

It has ever and always been true, David Whyte reminds us, that so much of human experience is a conversation between loss and celebration. This conversational nature of reality — indeed, this drama of vitality — is something we have all been shown, willing or unwilling, in these years. Many have turned to David Whyte for his gorgeous, life-giving poetry and his wisdom at the interplay of theology, psychology, and leadership — his insistence on the power of a beautiful question and of everyday words amidst the drama of work as well as the drama of life. The notion of “frontier” — inner frontiers, outer frontiers — weaves through this hour. We surface this as a companion for the frontiers we are all on just by virtue of being alive in this time.

Pádraig Ó Tuama is a friend, teacher, and colleague to the work of On Being. But before that was true, Krista took a revelatory trip to meet him at his home in Northern Ireland, a place that has known sectarianism and violent fracture and has evolved, not to perfection, yet to new life and once unimaginable repair and relationship. Our whole world screams of fracture, more now than when Krista sat with Pádraig in 2016. This conversation is a gentle, welcoming landing for pondering and befriending hard realities we are given. As the global educator Karen Murphy, another friend of On Being and of Pádraig, once said to Krista: “Let’s have the humility and the generosity to step back and learn from these places that have had the courage to look at themselves and look at where they’ve been and try to forge a new path with something that resembles ‘together’ … Right now we should be taking these stories and these examples and these places and filling our pockets and our lungs and our hearts and our minds with them and learning deeply.” And that’s what this hour with Pádraig invites.

Trabian Shorters is a visionary who has seen and named a task that is necessary for all healing and building, for every vision and plan, whether in a family or a world, to flourish. It’s called Asset Framing — and it works with both new understandings of the brain and an age-old understanding of the real-world power of the words we use, the stories we tell, and the way we name things and people. From everyday social media, to hallowed modes of journalistic, academic, and policy analyses, we have a habit of seeing deficits — and of defining people in need in terms of their problems. This has not only doomed some of our best efforts to failure — it leaves all of us prone to cynicism and hopelessness. What’s exciting is that what Trabian Shorters proposes is not only more effective, it is simple and straightforward to grasp. It is in and of itself dignifying and renewing. The main question you might be asking at the end of this is why, at this advanced stage of our species, it took us so long to learn to asset frame.

The esteemed writer Jane Hirshfield has been a Zen monk and a visiting artist among neuroscientists. She has said this: “It’s my nature to question, to look at the opposite side. I believe that the best writing also does this … It tells us that where there is sorrow, there will be joy; where there is joy, there will be sorrow … The acknowledgement of the fully complex scope of being is why good art thrills … Acknowledging the fullness of things,” she insists, “is our human task.” And that’s the ground Krista meanders with Jane Hirshfield in this conversation: the fullness of things — through the interplay of Zen and science, poetry and ecology — in her life and writing.

Where to turn to find my place of standing when it feels like the world is on fire? This question surfaced in a public conversation Krista had just a couple of years ago with Pádraig Ó Tuama and Marilyn Nelson, two poet-contemplatives. Pádraig weaves together social healing, poetry, and theology. Marilyn is a lyrical excavator of stories that would rather stay hidden — yet as she coaxes them into the light, they lead to new life. This conversation is a pleasure and balm, and a reminder that the ruptures and unease and reckonings of what we call “this moment” were all before us before the pandemic. Pádraig and Marilyn’s offerings are beyond wise, and distinctly tender and powerful for this now.

Jason Reynolds is the National Ambassador for Young People’s Literature of the Library of Congress — and a magnificent source of wisdom for human society as a whole. He’s driven by compassion and the clear-eyed honesty that the young both possess and demand of the rest of us. Ibram X. Kendi chose him to write the YA companion to Stamped from the Beginning. In his person, Jason Reynolds both embodies and inspires innate human powers of fortitude and imagination. Hear him on “breathlaughter”; the libraries in all of our heads; and a stunning working definition of anti-racism: “simply the muscle that says humans are human… I love you, because you remind me more of myself than not.”

“Though we have instructions and a map buried in our hearts when we enter this world,” the extraordinary Joy Harjo has written, “nothing quite prepares us for the abrupt shift to the breathing realm.” She is a saxophone player and performer, a visual artist, a member of the Muscogee Creek Nation, and the 23rd Poet Lau­re­ate of the Unit­ed States. She opens up with Krista about her life, dreaming as a way of relating to time and place, and the story matrix that connects us all.

There is a question rolling around even in the most secular of corners: What do religious people and traditions have to teach as we do the work ahead of repairing, renewing, and remaking our societies, our life together? Krista’s conversation this week with Rabbi Ariel Burger, a student of the late, extraordinary Elie Wiesel, delves into theological and mystical depths that are so much richer and more creative than is often imagined even when that question is raised.

You can’t think about something if you can’t talk about it, says Eula Biss. The writer helpfully opens up lived words and ideas like complacence, guilt, and opportunity hoarding for an urgent reckoning with whiteness. This conversation was inspired by her 2015 essay in The New York Times, “White Debt.”