Naomi Shihab Nye uncovers poetry in the everyday, an art practiced in Richard Linklater’s coming-of-age classic, Boyhood. Naomi found herself “living inside” the movie — seeing her daydreaming-childhood-self and life as a mother on screen.
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The Wiz is a reimagining of the classic Wizard of Oz tale, complete with an all-black, all-star cast and Quincy Jones-produced soundtrack. Diana Ross stars as Dorothy, a 24-year-old school teacher who has never set foot outside her neighborhood in Harlem. When a violent storm transports her to a faraway place, she’s taken out of her comfort zone and yearns to find a way back. Lawyer Michael Strautmanis had never seen a movie that offered a warm portrayal of his experience growing up on the South Side of Chicago in a tight-knit African American community. His love for every aspect of the movie — from the iconic casting to the costume design and music — speaks to the idea that movies help us feel seen.
“The way in which people live their lives and commit themselves — how they believe, what they engage in — those things are critical in shaping the human niche. … Those are evolutionarily relevant processes.”
Question to LiveWhat assumptions about evolution and essential human nature am I walking around with? |
Integration Step
Become a little less riveted by “critical mass.” Look for “critical yeast” — small groups of unlikely combinations of people in a new quality of relationship. |
Heart of the Matter
This is such a wonderful and freeing thing to be able to take in every once in a while, as Rebecca Solnit paraphrases Foucault: “We know what we do. We know why we do it. But we don’t know what [what] we do does.” We control our intentions, to some extent. We control our behavior. But we don’t control what that sets off in the world. The other piece of what she’s saying that feels so resonant to me for us now is this notion that the earthquake shakes you awake, and then the question to live — how do you stay awake? Here we are, in a pandemic generation. Everything that we thought we knew for sure, so much of that was upended. We were called to so many questions and to learn edifying and deepening things about ourselves and others and the world. How do we stay faithful to those questions and to that learning? |
Love is an ability, not just a feeling. That’s the lesson Dan in Real Life brought home for meditation teacher Sharon Salzberg. The story of Steve Carell’s flawed but loveable character echoed Sharon’s own work — to realize love as a capacity within ourselves.
A central duality appears in the work of Henri Cole: the revelation of emotional truths in concert with a “symphony of language” — often accompanied by arresting similes. We are excited to offer this conversation between Pádraig and Henri, recorded during the 2022 Dodge Poetry Festival in Newark, New Jersey. Together, they discuss the role of animals in Henri’s work, the pleasure of aesthetics in poetry, and writing as a form of revenge against forgetting.
The Wizard of Oz is one of the most watched films of all time. When a tornado whisks Dorothy and her dog Toto from their Kansas home to the magical Land of Oz, Dorothy has to seek out its wizard to find a way home. Along the way, she makes new friends and encounters all sorts of obstacles — all made delightful by the movie’s iconic original music and use of color, which was groundbreaking at the time. Entrepreneur Seth Godin says the movie made a strong impression on him as a child: Seeing a young person take action inspired him to do the same. “It’s up to us,” he says, “and we could do it if we wanted to.”
The Namesake, an adaptation of Jhumpa Lahiri’s novel, is a moving exploration of the immigrant experience told through the story of the Ganguli family. The parents, Ashoke and Ashima, marry in India and emigrate to New York state, where they raise their two children, Gogol and Sonia. In tracing the lives of two generations of a family, the movie examines not just the opportunity and promise gained from immigrating to a new country, but also all that is lost from one generation to the next. The wholeness of this depiction offered solace to writer Nishta Mehra after her father’s death. For her, the movie mirrored back the parts of her parents’ lives she did not understand as a young person.